Leah and I don't really do movies. But thanks to their culture loving grandpa, the boys get to experience all the greatest animated hits of the last half-century or more; two weeks ago it was the turn of Aladdin. For the most part, Grandpa provides a complete service: he shows them the films, and talks about them, and plays through the imaginative reenactments, all so we don't have to. But Aladdin's music is a cut above the rest—several cuts above—and it's leaked through to daily life here in our house. After two weeks of requests to sing the songs, including on almost every car trip (our car stereo is out of action, so singing is all we got), yesterday morning I finally broke down and procured the soundtrack. We were treated to three and a half playthroughs before I called a halt and told the boys they had to go outside.
Not that I minded the music: Leah and I wouldn't remember it if it weren't so catchy, and while they were listening (and dancing and acting) the boys left me alone to do work. As Leah remarked, it's funny how they constructed the score as by layering a few stereotypical Arabic instrumental sounds (not entirely racist in effect) over some 20s-style jazz. It sounds good, and would have sounded even better if Robin Williams had sung his lines rather than acted them. Good, that is, except for the Magic Carpet song. Guess which one I had stuck in my head as I was getting ready for bed last night?
And the funny thing is, as I heard the saccharine tones playing in my mind I didn't think of the movie at all; no, what came to mind was listening to KISS 108 radio back in 1993 or whatever. Up next "I'm Gonna Be (500 Miles)" by the Proclaimers, or "All For Love" by Bryan Adams, Rod Stewart, and Sting. Good heavens the early 90s were a tough time for music. I had to resort to Wikipedia to recollect the details of the latter gem; but clearly the concept still haunts me. Thank goodness I discovered Sonic Youth a couple years later, and free jazz shortly thereafter, and was able to leave commercial music behind forever.
But yeah, "Friend Like Me" still sounds pretty good. At least for the first three plays in an hour.